Tuesday, February 17, 2026
Today I will revisit some of my older etchings I did that I think have been trials, experiments, endeavors, des choses que on fait qui n’arrive pas bien et je vais mettre des aquarelles ou les pastels de huile ou des autres choses sur leur surface pour voir ce que ca Donne!?!?!
je vais ps amiliorer mes imprints de graveur mais les changent pour voir ce que ca va me donner comme image plus d'aujourd'hui!?!?
On vera!
Vamos a ver?
ca va etre tres interessant!
oui oui oui!
juste comme j'avais faire a Neuilly en 1980 a l'Avenue Jean Mermoz!
joindre moi en cette voyage!
Monday, February 16, 2026
All about discoveries, recoveries, realizing how methodical Ibwas as a young etcher at Stanley William’s Atelier 17 and as Joelle Serve’s assistant at her Atelier 631978-1980! And buying supplies to etch and to print! Oui oui oui oui Monsieur!
where I bought supplies and whatvwas available then! amazing period so fertile for me and becoming or revealing more of myself through my art, and whatvwas available to do so then! sante a tous! AnthonyvAlan Quinn 2/16/2026 now Chez Quinns as I download these pictures I just took from my art information notebook! red and black with still pages to fill that are blank, yay! Tony
My video I just made as well as pictures that follow of my red and black book that I meticulously filled with information that will serve me well as I continue full time to promote myvart! Yay!! Tony 2/16/2026 happy Monday all, lundi soir ici chez Quinn's!
I am reaching back into my past talking with Cristina Weyl and researching, finding, uncovering, recovering, opening myself to reuniting and welcoming once again all those that have touched and enriched my life in the past and that Inwant to be back in touch with once again if possible!?!
A real wonderful labor of love all of this! he suis la pour vous tous mes amis de Paris et de l'atelier 17 et atelier 63! Anthony Alan Quinn 2/16/2026 feliz Lundi a vous tous! je vous embrasse tres fort! Tony
Sunday, February 8, 2026
I just discovered my sketch pad a faded orange color @BlocRhodia18; #18 marque et modele Qualite France that I had completely forgotten about !
With black ink pen line drawings and some color pastels of Franca inking her plate to print and some portrait sketches, two I did of American Dallas Taylor that etched with me and many others at Atelier 17 in 1978-79 with me, and Jairo ( January 24, 1978), done all the oil pastels on a Tuesday at Atelier 17, 10 rue Didot, 1978.
Franca from Italy , atall brunette, striking like Sophia Loren, piercing deep eyes, and Dallas from the United States, also tall and more lanky, rugged, and Jairo , too.
Both Franca and Dallas are in the puctures I took with the throw-away camera in front of the Atelier 17,:Franca on the right and Dallas in the open door from leaning on the top of tge door with his hand holding it ).
I do not know if Dallas or Jairo drew me, I am guessing Jairo but it will remain a mystery - all done with a darker blue oil pastel.
What fun, serendipitous, quick, great community, great spirit, soooooo happy to discover these!
As I type this on a Sunday, Super Bowl Sunday , February 8, 2026 12:21 i am looking at my tattered , faded orange sketckbook with really thin almost transparent sheets inside and marveling that such an old and loved, worn sketchpad could contain shch surprises!
mt line drawings in the front, so fluid and blocked must have been for some idea or project I was trying to envision.
Then there is a much more hard edged calculated, drawn with more pressure on the paper, one titled " Man in the abstract ", a man-machine vision in 1978 , some others like square eyes , one looking like two cashews!.
All tesearch, all a curiius roving, testing, trying, searching for form and substance, unknowing the outcome, not needing to know the outcome, as my hand moved over the surface of this thin white paper.
One of the oils pastel sketches looking like my mother or family member sleeping?m?!
The front of the Bloc Rhodia #18 sketch pad with my writing on the upper left identifying that it was used at Monsieur Stanley Hater Atelier 17, 10 rue Didot , 75014, [Paris,
My fluid line drawings inblack pen
The blue oil pastel portraits and drawings of France, Dallas, Jairo, and me, Tony ( above )
And below the four oild brown pastels I drew
The harder edged black ink drawings at the end of the sketch pad starting with " Man in the abstract "
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Some of these last softer fluid drawings have been ripped out of the sketchpad and when I look at it from the side I see that about half of the pages have been ripped out and are missing.
The missing pages might have been my sketches of the other artists there that I gave to them as my gifts to them, or they drew in it as wellnand tore out pages to keep or drew others and gave them as bifts!? mysteries that may some day be answeted, for now they remain unanswered and tgat is fine with me.
A shared sketch pad? All good whatever!
Cheers! thank you, merci, grazie, gracias a tuti todos tous all!
Priceless times for us allbshared on those two floors of Atelier 17, January 24, 1978 mardi and other days, too!
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